Writersblog

Salomon Kroonenberg

Salomon Kroonenberg, Dutch writer

The Dutch programme at the International Book Fair in Beijing was cunn... >>> read more

Henk Pröpper

Henk Pröpper, Director Dutch Foundation for Literature

In two weeks’ time, the official opening of one of the largest b... >>> read more

Kai Kang

Kai Kang, Journalist China Reading Weekly

Dear Dutch publishers. The book fair is over. Perhaps you’ll now... >>> read more

Ingrid and Dieter Schubert

Ingrid and Dieter Schubert, Dutch illustrators

The days are full and long. We are incessantly bombarded with impressi... >>> read more

Michele Hutchison

Michele Hutchison, Editor De Arbeiderspers

Arriving on the stand on the first day, I’d asked a Chinese visi... >>> read more

Michele Hutchison

Michele Hutchison, Editor De Arbeiderspers

Big excitement today since we were finally meeting with Songyu from Fl... >>> read more

Ingrid and Dieter Schubert

Ingrid and Dieter Schubert, Dutch illustrators

It’s now the third day, and the first one with plenty of sun. Un... >>> read more

Kai Kang

Kai Kang, Journalist China Reading Weekly

What a great opportunity to learn about the Dutch literature for Chine... >>> read more

Salomon Kroonenberg

Salomon Kroonenberg, Dutch writer

A duck flies to and fro over the vast expanses of world ocean, despera... >>> read more

Michele Hutchison

Michele Hutchison, Editor De Arbeiderspers

‘In the era of browsing, we provide reading.’ - Slogan see... >>> read more

Michele Hutchison

Michele Hutchison, Editor De Arbeiderspers

The jewel in the crown of our collection of Arbeiderspers titles publi... >>> read more

Michele Hutchison

Michele Hutchison, Editor De Arbeiderspers

The Chinese publishers I have met during the course of my career, the ... >>> read more

Salomon Kroonenberg

Salomon Kroonenberg, Dutch writer

I have so far never been to a book fair. Nor do I know what to imagine... >>> read more

Kai Kang

Kai Kang, Journalist China Reading Weekly

Since 2006, I began writing about the Netherlands’ performance a... >>> read more

Henk Pröpper

Henk Pröpper, Director Dutch Foundation for Literature

Now that the fair is just round the corner, this is perhaps the moment... >>> read more

Michele Hutchison

Michele Hutchison, Editor De Arbeiderspers

The traffic in Beijing is horrendous, I’m sure the other blogger... >>> read more

Thomas Möhlmann

Thomas Möhlmann, Staff member Dutch Foundation for Literature

What an evening the poets and the approximately 200 onlookers present ... >>> read more


E. du Perron - Country of Origin

E. du Perron - Country of Origin

E. du Perron, along with his friend, the essayist and writer Menno ter Braak, possessed the good taste and sense of direction needed to brighten the literary climate of The Netherlands in the 1930s. As editors of the renowned magazine Forum, they passionately defended the belief that neither form nor style were the crucial factors in prose and poetry: the personality of the writer, as it emerged through his or her work, was most important of all.

In Country of Origin, Du Perron’s magnum opus, he put this literary philosophy into practice. Two plots intertwine. The first tells the evocative story of the childhood of Arthur Ducroo, Du Perron’s alter ago, who grows up in the Dutch East Indies in the 1900s surrounded by power and wealth. The second is the story of the writer himself in the years 1933-34, in the form of diary entries, letters, and discussions with acquaintances, Menno ter Braak and André Malraux among them.

While the passages set in the Dutch East Indies (present-day Indonesia) are generally happy, the contemporary passages convey the relentless and palpable threat of approaching war. The hybrid structure makes Country of Origin a unique, multifaceted, even postmodern book. It is certainly an astonishingly sharp, honest and uncompromising self-portrait.

Biography

E. de Perron (1899-1940) spent his youth in Java and much of his adult life in Europe. He was the co-founder of Forum, a magazine dedicated to replacing the superficial elegance of literary style with the greater sincerity achieved by focusing on literary content. Du Perron strove for independence of judgment and personal autonomy. He criticized mediocrity, mimicry and literary bombast, and spoke out against political coercion and other limits to freedom. He died in The Netherlands in 1940, on the day the Dutch army surrendered to the invading Germans.

QUOTES

  • ‘One of the most important books of modern Dutch literature.’ - Le Monde Des Livres